Author
The Project
The project for Pura Luhur Pucak Sari Bukit Cemeng shares the story of the rebuilding of one such temple in Bali through the perspectives and accounts of those involved. Often in history books and academic records, we learn the theoretical facts and understand the importance of the information, but the first hand experiences, of how it is felt and what it means to individuals. How they as individual human beings, in their respective parts, experience this reality.
The project for Pura Luhur Pucak Sari Bukit Cemeng shares the story of the rebuilding of one such temple in Bali through the perspectives and accounts of those involved. Often in history books and academic records, we learn the theoretical facts and understand the importance of the information, but the first hand experiences, of how it is felt and what it means to individuals. How they as individual human beings, in their respective parts, experience this reality.
The Architect
Ketut Siandana is an architect, entrepreneur, and founder of the winning Architectural Firm Sian’D’Sain. He has achieved commercial recognition for his architectural achievements. However, he enters a new chapter in which architecture reveals new discoveries, profoundly and unexpectedly. A return to cultural service through architecture sets him on a new journey. The Architecture of Spirit.
Several months ago, Ketut Siandana introduced us to a project that is very meaningful to him. In his journey, as an architect who seemed to be at a crossroads. Having achieved many hallmarks of commercial success, there was a feeling of perhaps stagnancy. One which I described as ‘ennui’. A certain apathy with his endeavours. To the point that he thought he may wish to leave architecture altogether.
“In architecture, whenever you finish, it is never satisfying. There is always a feeling of why it is just this much, not more. Some works of architecture are often commercial. Through the business aspect, they have commercial satisfaction. Sometimes, we feel personal gratification because our clients get satisfaction through the commercial benefits of our design.“
– Ketut Siandana
We were introduced to the community members who were involved in mobilising this restoration. And through several months, we were blessed to be able to be a small part of this story, simply by being a witness to this experience. One that touched so many, but one that is palpable and can be felt. To anyone whose senses are open to each other.
Read more about the architect
The Location
Pura Luhur Pucak Sari Bukit Cemeng is located on Bukit Kaler, Banjar Telengan, Desa Gegelang, Kecamatan Manggis, Karangasem, Bali, at an altitude of 1,500 meters above sea level. Geographically, Desa Gegelang is aligned with the location of the legendary Padangbai Harbor, which in its time was a thriving civilization associated with the great Mpu Kuturan. Mpu Kuturan, who arrived in Bali during the reign of Udayana Warmadewa (1011 AD) and settled in Padang, played a crucial role in shaping the region. His influence made Padang and its surroundings a significant cultural and religious center. It is likely that the area of Desa Gegelang was once part of the Angantelu region, with the surrounding hills serving as focal points for worship, including the peaks known as Pucak Kangin, Pucak Kaler, and Pucak Kauh.
The Challenges
The restoration of this Temple would require a large sum of money. One that the responsible communities are daunted and unsure about. The nature of the restoration due to its location (on a mountain hill with no road access) would require considerable manual labour component with high risks to injury and safety. In addition to the logistics, there were ceremonial rituals. Also, of considerable preparation and considerable expenses. All of these considerations are what made this project seem near impossible and difficult to complete despite a few attempts.
Ultimately, the temple’s impact will unfold over time, revealing its benefits long after completion. The creativity inherent in every participant and the unique needs of various workers add complexity that differs from commercial projects, where control is more absolute.
The Result
As the temple restoration approached completion, a sense of fulfillment began to surface. Those involved returned home each evening, reflecting on their work in solitude. Amidst the busyness—preparing offerings for ceremonies and coordinating tasks—there was a palpable energy surrounding the project.
It was about faith expanding the temple to accommodate future visitors. Despite some skepticism, we felt confident in our decisions. The progress of the statues was a testament to the collaboration between the carvers and the community. Each detail was meticulously considered, aiming for a sacred aesthetic. The designs were not arbitrary; they were steeped in tradition and spiritual significance, guided by visions shared among the artists.
